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WILLIE HUTCH - THE ULTIMATE COMPOSER - THE MACK

Willie Hutch

"The Mack"

(W. Hutch)

Produced & Willie Hutch

Motown Records

 1973

THE ULTIMATE COMPOSER

 

Biography: WILLIE HUTCH

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Hutchinson during 1946 in Los Angeles, CA, Hutch was raised in Dallas, TX, where he began signing as a teenager (as a member of an outfit called the Ambassadors). It was also during his teenaged years that Hutch began penning his own songs, and in 1964 issued a debut solo single, "Love Has Put Me Down." Soon after, his songwriting talents attracted the attention of the soon-to-be renowned '60s pop-soul outfit the 5th Dimension, for whom Hutch penned several tracks, as well as earning a co-production credit for the group's 1967 debut full-length Up, Up and Away. In 1970, producer Hal Davis asked Hutch to help finish off a song he desperately needed completed for the Jackson 5, "I'll Be There." Hutch delivered; the band recorded Hutch's version the next day, as it eventually became one of the 5's biggest early hits, and led to Motown head honcho Berry Gordy hiring Hutch to act as a songwriter/producer for other Motown artists on a regular basis.

Hutch then produced albums for Michael Jackson and Smokey Robinson during the early '70s, during which time Hutch penned the soundtrack to the 1973 blaxploitation flick The Mack on his own. The soundtrack is often considered to be one of the era's finest, as it spawned such funk-soul classics as the title track, "Brother's Gonna Work It Out," and "Slick." Hutch continued to issue solo releases for Motown, including such titles as Fully Exposed (1973), Foxy Brown, (1975), The Mark of the Beast (1975), Concert in Blues (1976), and Color Her Sunshine (1976), among others. After briefly relocating to the Whitfield record company for a few releases, Hutch returned back to Motown where he issued further solo albums and worked with others; including a duet between the Four Tops and Aretha Franklin (1983's "What Have We Got to Lose"), Sammy Davis, Jr.'s "Hello Detroit" (1984), in addition to a soundtrack album for the 1985 movie The Last Dragon. Hutch sporadically issued further solo sets in the '90s (1994's From the Heart and 1996's The Mack Is Back), before returning six years later with 2002's Sexalicious.

 

 

 

 

                                                    

Push PLAY to see the OHM Music and Film Works "TRIBUTE TO WILLIE HUTCH-featuring THE MACK"

 

                                                                 MOVIE REVIEW - "THE MACK"

 

Mack, The (1973)(Widescreen) (DTS)
Most young adults are familiar with Willie Hutch's timeless track "Brothers Gonna Work It Out" through the Chemical Brothers' extensive sampling of the classic funk song. But before its bass licks graced the big-beat dance floor, "Brother's" was the theme song to the blaxploitation classic simply known as The Mack. Starring Max Julien as a pimp extraordinaire, this low-budget 1973 drama ranks alongside Shaft, Superfly, Dolemite, and Foxy Brown in the genre's highest echelon. Long hard-to-find, The Mack is now back in a tricked-out DVD edition from New Line Home Video, which finally gets this cult favorite its due.

The Greatest Pimp of All Time
Julien plays Goldie, a recently released ex-con who's spent the last several years in prison cooking up a master plan — to become the greatest pimp Oakland's ever seen. He wastes little time, gathering some of the California port's sexiest ladies for his harem-for-rent and employing his old partner-in-crime Slim (Richard Pryor, who, despite above-the-tile billing on the box, is barely in the film) to manage his operation. This riles Goldie's brother Olinga (Roger E. Mosley, who went on to play T.C. on Magnum, P.I.), a black-power activist who's dedicated to cleaning up the streets. In one of those alliances found only in blaxploitation movies, the two join forces to clean up the streets — or, at least, the streets where Goldie's 'hos ain't walkin', ya dig?

Like many of its contemporaries, The Mack suffers from a scattershot story line. Some scenes — as when Goldie attends a "Players' Ball" much like the one in American Pimp — border on comedy. Others, as when he brainwashes his stable of hookers via an audio-visual show at a planetarium, are downright creepy. However, the film is packed with enough style, attitude, and action to make the farm report funky, and it's always watchable.

While it doesn't quite get the deluxe treatment that Goldie would've wanted, The Mack DVD offers two solid extras to entertain blaxploitation fans and educate the uninitiated. The top dog on the extra tip is the documentary "Mackin' Ain't Easy." Mainly film outtakes and talking-head interviews of the now-aged Julien, director Michael Campus, and other crew members, "Mackin'" chronicles the production behind the The Mack. We learn that the film was shot with the help of Frank Ward of the Ward Brothers, who were to 1970s Oakland what The Krays were to 1960s London. The Wards' participation brought the production into conflict with the Black Panthers, who were trying to reduce crime in the area through any means necessary. It's a fascinating 40 minutes, spiced up by newsreel footage of the involved fictional and real-life personae, countless stories that seem too crazy to be true, and a breakdown of the soundtrack recording sessions with Hutch himself.

The commentary track — which features Julien, Campus, and producer Harvey Bernhard as well as actors Annazette Chase, Don Gordon, George Murdock, and Dick Anthony Williams — is similarly informative, but yet somehow lacking. To their credit, the participants' comments never lag. However, that's because their words were spliced together from pre-recorded interviews, a technique that allows the dead air to be edited out, but doesn't have the spontaneity of a live commentary track. There also seems to be too much emphasis on Julien's comments — which is understandable, given his verbosity.

Even though the box promises a theatrical trailer, the commentary and featurette are the only extras on The Mack DVD. The disc does boast a remastered soundtrack in Dolby Digital 2.0, 5.1, and DTS versions, and the original mono audio is also included for comparison purposes. The film's murky, grainy 1.85:1 widescreen image isn't nearly as impressive, but that stems more from the original shoestring cinematography than the print quality. Still, The Mack stands as a testament that, given enough determination, a few filmmaking brothers can work it out.

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