Hutchinson during 1946 in Los Angeles, CA, Hutch
was raised in Dallas, TX, where he began signing as a teenager (as
a member of an outfit called the Ambassadors). It was also during
his teenaged years that Hutch began penning his own songs, and in
1964 issued a debut solo single, "Love Has Put Me Down." Soon
after, his songwriting talents attracted the attention of the
soon-to-be renowned '60s pop-soul outfit the 5th Dimension, for
whom Hutch penned several tracks, as well as earning a
co-production credit for the group's 1967 debut full-length Up,
Up and Away. In 1970, producer Hal Davis asked Hutch to help
finish off a song he desperately needed completed for the Jackson
5, "I'll Be There." Hutch delivered; the band recorded Hutch's
version the next day, as it eventually became one of the 5's
biggest early hits, and led to Motown head honcho Berry Gordy
hiring Hutch to act as a songwriter/producer for other Motown
artists on a regular basis.
Hutch
then produced albums for Michael Jackson and Smokey Robinson
during the early '70s, during which time Hutch penned the
soundtrack to the 1973 blaxploitation flick The Mack on his
own. The soundtrack is often considered to be
one of the era's
finest, as it spawned such funk-soul classics as the title track,
"Brother's Gonna Work It Out," and "Slick." Hutch continued to
issue solo releases for Motown, including such titles as Fully
Exposed (1973), Foxy Brown, (1975), The Mark of the
Beast (1975), Concert in Blues (1976), and Color Her
Sunshine (1976), among others. After briefly relocating to the
Whitfield record company for a few releases, Hutch returned back
to Motown where he issued further solo albums and worked with
others; including a duet between the Four Tops and Aretha Franklin
(1983's "What Have We Got to Lose"), Sammy Davis, Jr.'s "Hello
Detroit" (1984), in addition to a soundtrack album for the 1985
movie The Last Dragon. Hutch sporadically issued further
solo sets in the '90s (1994's From the Heart and 1996's
The Mack Is Back), before returning six years later with
2002's Sexalicious.
Push PLAY to see the OHM
Music and Film Works "TRIBUTE TO WILLIE HUTCH-featuring THE
MACK"
MOVIE REVIEW - "THE MACK"
Mack, The (1973)(Widescreen) (DTS)
Most young
adults are familiar with Willie Hutch's timeless track "Brothers
Gonna
Work It Out" through the Chemical Brothers' extensive sampling of
the classic funk song. But before its bass licks graced the
big-beat dance floor, "Brother's" was the theme song to the
blaxploitation classic simply known as The Mack. Starring
Max Julien as a pimp extraordinaire, this low-budget 1973
drama ranks alongside Shaft, Superfly, Dolemite, and Foxy Brown in
the genre's highest echelon. Long hard-to-find, The Mack is
now back in a tricked-out DVD edition from New Line Home Video,
which finally gets this cult favorite its due.
The Greatest Pimp of All Time
Julien plays Goldie, a recently released ex-con who's spent the
last several years in
prison cooking up a master plan — to become the greatest pimp
Oakland's ever seen. He wastes little time, gathering some of the
California port's sexiest ladies for his harem-for-rent and
employing his old partner-in-crime Slim (Richard Pryor, who,
despite above-the-tile billing on the box, is barely in the film)
to manage his operation. This riles Goldie's brother Olinga (Roger
E. Mosley, who went on to play T.C. on Magnum, P.I.), a
black-power activist who's dedicated to cleaning up the streets.
In one of those alliances found only in blaxploitation movies, the
two join forces to clean
up the streets — or, at least, the streets where Goldie's 'hos
ain't walkin', ya dig?
Like many of its contemporaries, The Mack suffers from a
scattershot story line. Some scenes — as when Goldie attends a
"Players' Ball"
much
like the one in American Pimp — border on comedy. Others, as when
he brainwashes his stable of hookers via an audio-visual show at a
planetarium, are downright creepy. However, the film is packed
with enough style, attitude, and action to make the farm report
funky, and it's always watchable.
While it
doesn't quite get the deluxe treatment that Goldie would've
wanted, The Mack DVD offers two solid extras to entertain
blaxploitation fans and educate the uninitiated. The top dog on
the extra tip is the documentary "Mackin' Ain't Easy." Mainly film
outtakes and talking-head interviews of the now-aged Julien,
director Michael Campus, and other crew members, "Mackin'"
chronicles the production behind the The Mack. We learn
that the film was shot with the help of Frank Ward of the Ward
Brothers, who were to 1970s Oakland what The Krays were to 1960s
London. The Wards' participation brought the production into
conflict with the Black Panthers, who were trying to reduce crime
in the area through any means necessary. It's a fascinating 40
minutes, spiced up by newsreel footage of the involved fictional
and real-life personae, countless stories that seem too crazy to
be true, and a breakdown of the soundtrack recording sessions with
Hutch himself.
The
commentary track — which features Julien, Campus, and producer
Harvey Bernhard as well as actors Annazette Chase, Don Gordon,
George Murdock, and Dick Anthony Williams — is similarly
informative, but yet somehow lacking. To their credit, the
participants' comments never lag. However, that's because their
words were spliced together from pre-recorded interviews, a
technique that allows the dead air to be edited out, but doesn't
have the spontaneity of a live commentary track. There also seems
to be too much emphasis on Julien's comments — which is
understandable, given his verbosity.
Even though the box promises a theatrical trailer, the commentary
and featurette are the only extras on The Mack DVD. The
disc does boast a remastered soundtrack in Dolby Digital 2.0, 5.1,
and DTS versions, and the original mono audio is also included for
comparison purposes. The film's murky, grainy 1.85:1 widescreen
image isn't nearly as impressive, but that stems more from the
original shoestring cinematography than the print quality. Still,
The Mack stands as a testament that, given enough
determination, a few filmmaking brothers can work it out.